Friday, November 30, 2012
Fantastic Fest: "It is a celebration of geekdom at its geekiest"
Thursday, November 22, 2012
Happy Thanksgiving, movie fans!
As I have noted elsewhere: It's a melancholy fact of life that if you live long enough, you reach a point when you start to wonder: How many birthdays do I have left? How many Christmases? Independence Days? Thanksgivings?
For better or worse -- though I strongly suspect it's for the better -- I have no way of answering those nagging questions. But I do know this: You can enjoy all the holidays you want, any time of year you desire, at the movies. In honor of the day, here are two guides to notable flicks featuring Thanksgiving gatherings -- one from Time Magazine (including two personal favorites, Judd Apatow's Funny People, pictured above, and Jodie Foster's Home for the Holidays) and another from (OK, don't laugh) AARP Magazine (featuring a fave that, oddly enough, I had almost forgotten: Alice's Restaurant).
Happy Thanksgiving to one and all. And as I am wont to remind folks on occasions such as this: It's a miracle that we're even here and alive.
Friday, November 09, 2012
It's Take 4 for Houston Cinema Arts Festival
A few days ago, I got a chance to interview HCAF artistic director Richard Herskowitz for CultureMap and, as you can see in the above video, KHOU-TV. But wait, there's more: I offer a guide to promising HCAF offerings here, and my own tribute to HCAF special guest Robert Redford here. (Redford -- interviewed here by CultureMap editor Clifford Pugh -- will be honored with the festival's Levantine Cinema Arts Award.)
And don't forget: After the 9:15 pm Saturday screening of the most excellent documentary Iceberg Slim: Portrait of a Pimp at the Sundance Cinemas, I will host a Q&A with director Jorge Hinojosa.
Because, really, it's all about me.
Tuesday, November 06, 2012
Four more years! Four more years!
Celebrating the RE-election of Barack Hussein I Smoked Bin Laden's Ass Obama. Let the good times roll, y'all.
Wednesday, October 31, 2012
Tuesday, October 30, 2012
Scary stuff, kids! Talkin' 'bout horror flicks on Great Day Houston
Friday, October 26, 2012
Lena Dunham talks about her "first time"
Sunday, October 21, 2012
R.I.P.: George McGovern (1922-2012)
Two things that immediately popped into my head when I heard the sad news this morning about George McGovern's death.
First, he was the first Presidential candidate I ever voted for -- at a time when this country seemed even more divided and yet, strangely enough, at the same time, somewhat more civil than it is now.
Second: It has been impossible for me to read or hear McGovern's name ever since seeing All the President's Men without thinking of Hal Holbrook in that dimly lit parking garage telling Robert Redford, in the condescending tone of someone explaining the obvious to a none-too-bright child, that McGovern was the liberal Democrat that Richard Nixon and his flunkies wanted to run against in 1972, because he'd be so much easier to beat than Ed Muskie.
I have never ceased to agree with those who've praised George McGovern as a good and honorable man. But I still shudder when I consider how easily and ruthlessly he, and we, were manipulated by his opponent.
Saturday, October 20, 2012
Joe Biden's here, and he brought doughnuts
You have to hand it to Joe Biden and the Democrats -- they're big on bringing junk food to the party. And I for one appreciate that.
Wednesday, October 10, 2012
Coming soon: Zombies Versus Gladiators. No, seriously: Zombies vs. Frickin' Gladiators
As H.L. Mencken once sagely noted: "Nobody ever went broke underestimating the intelligence of the American public." Wonder what the old boy would make of Amazon.com's announced intention to get into the movie production business with "crowdsourced" projects like... like... well, Zombies Versus Gladiators.
Tuesday, October 09, 2012
Latest reason I love being a teacher
Tonight, I had a student thank me -- actually thank me -- for screening His Girl Friday during a History of Film class at Houston Community College. But wait, there's more: He also said that he wanted to someday, somehow, make a movie as smartly written as this one. I told him: Good luck. I look forward to reviewing it.
Monday, October 08, 2012
A Capital film
I suspected -- and admitted I suspected -- I would like Costa-Gavras' Capital before I actually saw it last month at the Toronto Film Festival. And sure enough, the film turned out to be a slick and sensationally entertaining melodrama. Unfortunately, I got sidetracked while gathering production info -- i.e., the cast and crew credits I need to list for a Variety review -- and then something came up, followed by something else. So I didn't get around to giving the movie its due props. Until now.
Seven PsychoCATS (Get it?)
Sunday, October 07, 2012
Let's see Lelouch's Les Miserables on DVD and Blu-Ray, OK?
Every great once in a while, I am reminded that, contrary to what we might sometimes think, not every great movie is available in the U.S. on DVD. Case in point: Claude Lelouch's Les Miserables (1995), one of my favorite films of all time. As I wrote years ago:
"Claude Lelouch's audacious and exciting epic is neither a film version of the long-running musical nor a traditional adaptation of Victor Hugo's classic novel. Rather, it is a sweeping and sensationally passionate drama that succeeds brilliantly on its own merits as a celebration of storytelling (and, of course, moviemaking) as inspiration and illumination. A magnificently ravaged Jean-Paul Belmondo plays Henri Fortin, an ordinary man whose life spans an extraordinary period in French history: Born at the turn of the century, he lives long enough to endure the cruelties of the Nazi occupation. Rootless and illiterate, he is introduced to Les Miserables at an early age -- in a silent movie! -- and embraces Jean Valjean as his hero, mentor and alter ego. So much so, in fact, that Henri agrees to help a Jewish family escape from Paris, setting into motion a fateful series of betrayals, reconciliations, reversals of fortune and triumphs of the spirit. There are images in Les Miserables that are as hauntingly beautiful as any in the history of cinema. And there are entire sequences that are nothing short of astonishing. Lelouch is one of the few contemporary filmmakers who remains capable of the grand romantic gestures that made many of us fall in love with movies in the first place."
If anyone at Warner Home Video reads this, take it as a plea: The upcoming film version of the stage musical is bound to be a great big hit, so why not give us a DVD/Blu-Ray of Lelouch's masterwork? Think of it this way: You'll be able to hitch a ride on the gravy train, and sell a whole bunch of units.
Tuesday, October 02, 2012
This just in: Barack Obama is a colored person
Sunday, September 30, 2012
Schwarzenegger: Yeah, I performed same-sex marriages while I was governor. You got a problem with that?
Looks like Leslie Stahl didn't get quite the answers she expected when she interviewed the former California governor and born-again movie star when she interviewed him for a 60 Minutes profile set to air Sunday on CBS.
Thursday, September 27, 2012
Flashback: Anthony Perkins on making Psycho with Alfred Hitchcock
As Fox Searchlight prepares to launch Hitchcock in this year's Oscar race with a world premiere screening at the AFI Fest, I thought it might be a good time to offer as prelude to the film -- which deals with the making of Psycho, and stars Anthony Hopkins as the Master of Suspense -- this link to an interview I did years ago with Anthony Perkins (played in Hitchcock by James D'Arcy), who had some fascinating things to say about becoming Norman Bates.
Live from Fantastic Fest: It's Red Dawn
And guess what? The long-delayed remake doesn't suck. Seriously. You can read my Variety review here.
Samuel L. Jackson in Wake the F**k Up!!!!
R.I.P.: Herbert Lom (1917-2012)
Most people remember Herbert Lom best as the ever-excitable, chronically frustrated Inspector Dreyfus opposite Peter Sellers' indefatigably klutzy Inspector Clouseau in Blake Edwards' Pink Panther movies. But I must confess that my most vivid impression of Lom as a screen actor was formed many decades ago, when, as a wide-eyed kid growing up in New Orleans, I saw the Czech-born, Brit-trained actor in the title role of Hammer Studios' 1962 remake of The Phantom of the Opera.
Lom's sympathetic portrayal of the acid-scarred outcast struck me as so affecting, so sympathetic, that I actually mailed a Christmas card to the guy in care of Universal (the film's U.S. distributor). Can you imagine my surprise and delight when, a few weeks later, I actually received a note signed by Lom himself, thanking me for the card? I was 11 or 12 at the time. It was like getting a personalized acknowledgment from God
Several years later, I was at a Hollywood event of some sort -- frankly, I don't recall precisely what it was -- when I had a fleeting close encounter with one of the guests: Herbert Lom. By that point, I was well into my 30s. But I turned into a kid all over again when I shook Lom's hand -- and gushed a thank-you for his long-ago thank-you card. To his credit, Lom didn't immediately call for aid from security personnel. Instead, he smiled -- indeed, he heartily laughed -- and spent a few minutes conversing with me about Phantom, the Pink Panther movies, and a few other notable films (including The Ladykillers, also with Sellers, and the original Gambit) he had done.
It's to my eternal regret that I never actually got to meet Lom's Phanton co-star, the late, great Michael Gough, another icon from my youth. But on this day when I celebrate the life of a splendid character who showed me such kindness, I marvel once again at the blessings I have received during my long career of getting paid to go to the movies.
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