Showing posts with label Stanley Nelson. Show all posts
Showing posts with label Stanley Nelson. Show all posts

Sunday, August 28, 2016

Remembering The Murder of Emmett Till


On this date 61 years ago, 14-year-old Emmett Till was killed by racist white thugs in Money, Mississippi. Filmmaker Stanley Nelson recounted this tragic episode in his exceptional 2003 documentary The Murder of Emmett Till, which currently is available for viewing on YouTube. As I wrote in my Variety review:

"Using archival footage, official records and well-shot (by Robert Shepard) contemporary interviews, Nelson fashions an evocative portrait of a life and death in a not-long-ago Deep South. While visiting relatives in Tallahatchie County during summer 1955, 14-year-old Till, a black, Chicago-born youngster, was brutally beaten, then fatally shot, by white racists. His killers, stepbrothers Roy Bryant and J.W. Milam, pursued Till after the precocious youngster made the fatal mistake of whistling at Bryant’s attractive wife in a grocery store. The killers were acquitted by an all-white jury, but later agreed — in return for a hefty fee — to admit their guilt in a Look magazine interview. 


"Emmett Till deftly places the tragedy of the youngster’s killing within context of an age when many Southern whites felt entitled to treat blacks any way they pleased, and were antagonistic toward locals or 'outside agitators' who supported integration. In one of several startling TV news clips from the period, an elderly white Mississippian insists that Bryant and Milam were framed as part of a 'Communist plot.' 

"Taking their cue from such paranoia, the murderous pair’s defense attorneys shamelessly argued that Till wasn’t really dead, and that the mutilated body found in a local river had been deliberately misidentified by the boy’s widowed mother. The jury — which, Nelson indicates, really didn’t require much exculpatory evidence — warmed to this theory while voting for acquittal. 

"Most devastating scenes focus on the discovery of Till’s corpse — which actually was difficult to identify, because the boy’s face had been beaten almost beyond recognition — and Mamie Till’s insistence that her son be displayed in an open coffin during his Chicago funeral service, so that the world would know what had happened to her boy. As hundreds of mourners passed the coffin, narrator Andre Braugher notes, 'One out of every five had to be helped out of the building.'

"[The documentary] persuasively argues that Till’s martyrdom served as an impetus for the U.S. Civil Rights movement of the 1950s and ’60s. Overall, however, Murder of Emmett Till is more heartbreaking than uplifting, and will leave sympathetic viewers with an anguished sense of moral outrage."


Monday, March 29, 2010

Nashville Fest preview: Freedom Riders


With both WorldFest/Houston and the Nashville Film Festival set to kick off next month, I'll soon have to start work on my must-see lists. I'm especially eager to catch the Nashville screening of Freedom Riders, the latest documentary from Stanley Nelson, a filmmaker whose past efforts -- including The Murder of Emmett Till, Marcus Garvey: Look for Me in the Whirlwind and The Black Press: Soldiers Without Swords -- have firmly established him as contemporary cinema's premier illuminator of African-American history. Of course, it helps that he's one hell of a storyteller -- and in Freedom Riders, he has one hell of a story to tell. My Variety colleague Andrew Barker has raved: "Stripping away the platitudes and feel-good generalizations of so many civil-rights documentaries, Stanley Nelson's Freedom Riders is a superb piece of filmic journalism." Sounds like a must-see to me.